Content
Sztuka jako sposobność / Art as Opportunity
Agata Tecl-Szubert o pracy Magdy Fabiańczyk - "Tam gdzie mnie nie było"
Spróchniała tarcza narodu / The Withered Shield Of The Nation
O neosarmackim micie husarii pisze Paweł Wątroba
Co jedzą rusałki?
Procesy hodowania motyli i tworzenia dzieł sztuki są analogiczne - z Bogną Burską rozmawia Agata Cukierska
Venus in the Colors of Chakras
Part of While the people are walking around the city/ Filko - Kraupe by Christian Kobald
Untitled by Rudolf Samohejl
A group trip to the lake with reading from a book by Joseph Conrad - Typhoon
Przetrwalnik
Jest coś dziwnego w nadawaniu trwałości pozorom życia, zaschłym albo zanurzonym w płynach członkom, rozpłatanym czaszkom z elegancko wywiniętą skórą i mózgiem ukazanym jakby na dowód, że tam jest i być może nadal działa.
Meeting Point
When asked to draw a map of Europe, they don’t refuse: they draw an imaginary shape, which largely deviates from the actual one.
Charlotte
Charlotte comes out of an inquiry into the local context of Lesser Poland, based on meetings with local miners, politicians and inhabitants and on an investigation of the specificities of the region’s mining cities.
Discussion I
Conversation took place as a part of "Repose" what is productive and what is not productive remain a matter of agreement and negotiation...
CITY DIARY
excerpts from “City Diary”, a long-term ongoing research project based on observation of cities (Berlin, Seoul, New York, Krakow, Tarnow, Warsaw).
A “pseudopoem” of Chaos
One of the crucial themes in the Polish history of art in the past 25 years is the process of re-writing and revaluating it.
An Ideal City?
Nowa Huta, experimental city, created by communists' in Poland after World War II to produce New Man of the system. Symbol of modernity and progress, one of the leading tools to install new regime in Poland after 1945...
Kongres Futurologiczny (video)
28 lipca 2015, Kraków Kongres Futurologiczny z udziałem artystów: Mateja Vakuli, Bogdana Achimescu i Łukasza Surowca oraz futurologa Łukasza Lamży. Moderatorka: Katarzyna Trzeciak
The Presence Within Us
Food may be a perfect instrument for travelling in time. It show ever so precisely from where we come and after what we aspire. What we eat, or what we remember as food eaten in childhood, tells more about us than we want to reveal.
Kongres Futurologiczny (pl)
Przestrzeń sztuki zawsze będzie zawieszona w rzeczywistości, w której żyjemy. Myśląc o sztuce w przyszłości, musimy nakreślić też rzeczywistość, w której przyjdzie nam tkwić.
“Satan’s Children” – Dark House [video]
Curatorial guiding trough "Satan's Children" exhibition [PL] - Dark House
“Satan’s Children” – Bright House [video]
Curatorial guiding trough "Satan's Children" exhibition [PL] - Bright House
The Polish Lucifer, or Towards Progressive National Art
The missing person is a symbol-character, a myth-character, strongly present in Western Europe at the time and almost completely exorcised from Polish Romanticism: Lucifer.
Leone Contini’s performative lecture
What does food tell about our lives and about the region? What is a history of recipes we know? And what happen to recipes of people who are gone?
Interview with Leone Contini
Leone Contini came to Krakow and Bytom (Poland) as artist in residency.
I was told I chop wood as a balet dancer – wood session, vol: 1
collective wood chopping, within the curatorial series: Repose Las Wolski, Kraków, 19.06.2015
I was told I chop wood as a ballet dancer – wood session, vol: 2
Bringing along the sound of chopping wood within the curatorial series: Repose Lanckorona, 25.06.2015
Secessions and Broadcast, Łukasz Trzciński talks to Piotr Bujak
It seems to me that perhaps it is not the world of art that is bog-standard, but the whole world around us, which worries me rather than wearing out.
Secession From The Broadcast – ZIN by Piotr Bujak
Excerpts from Secession From The Broadcast ZIN by Piotr Bujak, publication assisting to the artist's solo show in Jasny Dom in Krakow, July 2015.
Ash above Krakow’s sky
We were young, innocent, and of pure hearts. We worshipped Satan and gazed into the night.