Jedzenie może stanowić doskonałe narzędzie do odbywania podróży w czasie. Precyzyjnie pokazuje skąd pochodzimy i do czego aspirujemy. A to, co jemy, lub co wspominamy jako jedzenie dzieciństwa, mówi o nas więcej niż sami chcemy odsłonić.
Food may be a perfect instrument for travelling in time. It show ever so precisely from where we come and after what we aspire. What we eat, or what we remember as food eaten in childhood, tells more about us than we want to reveal.
The project serves as an opportunity to explore the theme of the figure of Satan himself – timidly exorcised from the Polish culture, a symbol of rebellion and knowledge, a new beginning.
Because it is there.
History does not drive camels anymore but it’s still eating dust. Etel Adnal, "Seasons"
We are living in a time of surplus, also overabundance of uncertainty.
Visual artist, author of art books, specializes in photography, collage, installation, graphic design, film and art in public space.
Her practice is interdisciplinary and encompasses both research and production with a focus on social structures and the political subtext of the everyday.
Multi-sensual artist, curator, experimenter.
The artistic practice of Freja Bäckman lays on the intersection of art, education and socio-political work.