Jedzenie może stanowić doskonałe narzędzie do odbywania podróży w czasie. Precyzyjnie pokazuje skąd pochodzimy i do czego aspirujemy. A to, co jemy, lub co wspominamy jako jedzenie dzieciństwa, mówi o nas więcej niż sami chcemy odsłonić.
Food may be a perfect instrument for travelling in time. It show ever so precisely from where we come and after what we aspire. What we eat, or what we remember as food eaten in childhood, tells more about us than we want to reveal.
The project serves as an opportunity to explore the theme of the figure of Satan himself – timidly exorcised from the Polish culture, a symbol of rebellion and knowledge, a new beginning.
Because it is there.
History does not drive camels anymore but it’s still eating dust. Etel Adnal, "Seasons"
We are living in a time of surplus, also overabundance of uncertainty.
Painter, draughtsman, assemblage and installation artist.
Curator, the author of art criticism.
Author of films, photography, and performances.
Visual artist, author of art books, specializes in photography, collage, installation, graphic design, film and art in public space.