Birch Bark

Birch bark serie by Mariia Mytrofanova


Throughout our lives, we collect a "collection" of people (acquaintances, relatives, relatives), each of which has its own place (status) in our lives.


Bureaucratic performance, documentation

Kongres Estetyczny

Jesteśmy przeniknięci “przez formę aż do rdzenia. [...] To nie my mówimy słowa, lecz słowa nas mówią”

Bright House

Bright House [Jasny Dom] operated for six months in 2015, constituting presupposed environment-specific intervention into the artistic/bourgeois fabric of the city.

Footnotes from Ideal City – showroom

In the propounded formula the city no longer works as a shell, a machine to live in or a management model vs a composition of complex human relationships.

The quick brown fox jumps over the lazy dog

on-going performance and exhibition-based narration, dealing with national identity, typography, surrealism, and divination

All That Is Solid Melts Into Air, All That Is Holy Is Profaned

Paweł Kruk reverses the traditional economy of the Museum – here the gift goes outside...

The Second Death Of George Mallory

The exhibition touches upon the question of diverse experiencing the matter of the mountain, getting to know it, but also simply being-in-the-world: not so much of cognitive being opposite to, but of being in and next to.

The Attempt

The pre-prepared “attempt” is an attempt to/at strike, protest or revolt against the present oppression of past conditions to resolve in a hopefully bet- tered future, a social improvement.

Ground Works

Whilst mindful of the natural environment, the artists adopt a contrarian stance on land art, and embark on a plan for bio-euthanasia.

Ideal City

The experience of Nowa Huta’s unfinished utopia goes along with an equally multilayered visual archive representing a number of simultaneous policies on working with the image.

Satan’s Children

The project serves as an opportunity to explore the theme of the figure of Satan himself – timidly exorcised from the Polish culture, a symbol of rebellion and knowledge, a new beginning.

Curator Stanisław Ruksza

Because It Is There

Because it is there.

Curator Agnieszka Kilian
Cooperation Jaro Varga

Into the Dust…

History does not drive camels anymore but it’s still eating dust. Etel Adnal, "Seasons"

Curator Agnieszka Kilian
Cooperation Dominik Kuryłek

Je brûle Paris!

We are living in a time of surplus, also overabundance of uncertainty.

Curator Stanisław Ruksza

The Wall. Art Face To Face With Borders

Some stagger and fall, after all it's not easy banging your heart against some mad buggers (Pink Floyd, "Outside the Wall")

Curator Stanisław Ruksza

Space Ship Bright House

What will art be like in the future? What senses will be contained in this concept? Is art going to have any point at all?

Curator Łukasz Trzciński

Secession from the Broadcast

The exhibition is a kind of tribute to Gene Youngblood - one of the key theorists of culture and new media

Curator Łukasz Trzciński


Repose is a need of suspension, but also of a non-obvious relation between work and a break.

Curator Agnieszka Kilian

(…) Behind Togetherness

Reading collectivity is a complex process – we feel an itch to have a look at lines that follow, at words that have not been said or gestures that have not been made, to see what is behind the thick wall of the term “collectively”.

Curator Agnieszka Kilian