Agata Tecl-Szubert o pracy Magdy Fabiańczyk - "Tam gdzie mnie nie było"
O neosarmackim micie husarii pisze Paweł Wątroba
Procesy hodowania motyli i tworzenia dzieł sztuki są analogiczne - z Bogną Burską rozmawia Agata Cukierska
Part of While the people are walking around the city/ Filko - Kraupe by Christian Kobald
A group trip to the lake with reading from a book by Joseph Conrad - Typhoon
Jest coś dziwnego w nadawaniu trwałości pozorom życia, zaschłym albo zanurzonym w płynach członkom, rozpłatanym czaszkom z elegancko wywiniętą skórą i mózgiem ukazanym jakby na dowód, że tam jest i być może nadal działa.
When asked to draw a map of Europe, they don’t refuse: they draw an imaginary shape, which largely deviates from the actual one.
Charlotte comes out of an inquiry into the local context of Lesser Poland, based on meetings with local miners, politicians and inhabitants and on an investigation of the specificities of the region’s mining cities.
Conversation took place as a part of "Repose" what is productive and what is not productive remain a matter of agreement and negotiation...
On the origin of cities [Apocrife theory]
50 years of Roman Dziadkiewicz's dialogue with The National Museum in Kraków
excerpts from “City Diary”, a long-term ongoing research project based on observation of cities (Berlin, Seoul, New York, Krakow, Tarnow, Warsaw).
One of the crucial themes in the Polish history of art in the past 25 years is the process of re-writing and revaluating it.
Nowa Huta, experimental city, created by communists' in Poland after World War II to produce New Man of the system. Symbol of modernity and progress, one of the leading tools to install new regime in Poland after 1945...
28 lipca 2015, Kraków Kongres Futurologiczny z udziałem artystów: Mateja Vakuli, Bogdana Achimescu i Łukasza Surowca oraz futurologa Łukasza Lamży. Moderatorka: Katarzyna Trzeciak
Food may be a perfect instrument for travelling in time. It show ever so precisely from where we come and after what we aspire. What we eat, or what we remember as food eaten in childhood, tells more about us than we want to reveal.
Przestrzeń sztuki zawsze będzie zawieszona w rzeczywistości, w której żyjemy. Myśląc o sztuce w przyszłości, musimy nakreślić też rzeczywistość, w której przyjdzie nam tkwić.
Curatorial guiding trough "Satan's Children" exhibition [PL] - Dark House
Curatorial guiding trough "Satan's Children" exhibition [PL] - Bright House
Jaro Varga in conversation with Kaśka Maniak
The missing person is a symbol-character, a myth-character, strongly present in Western Europe at the time and almost completely exorcised from Polish Romanticism: Lucifer.
What does food tell about our lives and about the region? What is a history of recipes we know? And what happen to recipes of people who are gone?
Leone Contini came to Krakow and Bytom (Poland) as artist in residency.
collective wood chopping, within the curatorial series: Repose Las Wolski, Kraków, 19.06.2015
Bringing along the sound of chopping wood within the curatorial series: Repose Lanckorona, 25.06.2015
It seems to me that perhaps it is not the world of art that is bog-standard, but the whole world around us, which worries me rather than wearing out.
Excerpts from Secession From The Broadcast ZIN by Piotr Bujak, publication assisting to the artist's solo show in Jasny Dom in Krakow, July 2015.
We were young, innocent, and of pure hearts. We worshipped Satan and gazed into the night.