Curatorial guiding trough "Satan's Children" exhibition [PL] - Dark House
Curatorial guiding trough "Satan's Children" exhibition [PL] - Bright House
Jest coś dziwnego w nadawaniu trwałości pozorom życia, zaschłym albo zanurzonym w płynach członkom, rozpłatanym czaszkom z elegancko wywiniętą skórą i mózgiem ukazanym jakby na dowód, że tam jest i być może nadal działa.
When asked to draw a map of Europe, they don’t refuse: they draw an imaginary shape, which largely deviates from the actual one.
Charlotte comes out of an inquiry into the local context of Lesser Poland, based on meetings with local miners, politicians and inhabitants and on an investigation of the specificities of the region’s mining cities.
Conversation took place as a part of "Repose" what is productive and what is not productive remain a matter of agreement and negotiation...
On the origin of cities [Apocrife theory]
on Roman Dziadkiewicz's dialogue with National Museum in Kraków
excerpts from “City Diary”, a long-term ongoing research project based on observation of cities (Berlin, Seoul, New York, Krakow, Tarnow, Warsaw).
One of the crucial themes in the Polish history of art in the past 25 years is the process of re-writing and revaluating it.
Nowa Huta, experimental city, created by communists' in Poland after World War II to produce New Man of the system. Symbol of modernity and progress, one of the leading tools to install new regime in Poland after 1945...
28 lipca 2015, Kraków Kongres Futurologiczny z udziałem artystów: Mateja Vakuli, Bogdana Achimescu i Łukasza Surowca oraz futurologa Łukasza Lamży. Moderatorka: Katarzyna Trzeciak
Food may be a perfect instrument for travelling in time. It show ever so precisely from where we come and after what we aspire. What we eat, or what we remember as food eaten in childhood, tells more about us than we want to reveal.
wood session, vol: 1 part of Repose Las Wolski, Kraków, 19.06.2015
wood session, vol: 2 as part of Repose Lanckorona, 25.06.2015
Przestrzeń sztuki zawsze będzie zawieszona w rzeczywistości, w której żyjemy. Myśląc o sztuce w przyszłości, musimy nakreślić też rzeczywistość, w której przyjdzie nam tkwić.
Jaro Varga in conversation with Kaśka Maniak
The missing person is a symbol-character, a myth-character, strongly present in Western Europe at the time and almost completely exorcised from Polish Romanticism: Lucifer.
What does food tell about our lives and about the region? What is a history of recipes we know? And what happen to recipes of people who are gone?
Leone Contini came to Krakow and Bytom (Poland) as artist in residency.
Wydaje mi się, że to nie świat sztuki ma konfekcyjny charakter, ale świat po prostu. A to mnie nie tyle nuży nawet, co niepokoi.
Excerpts from Secession From The Broadcast ZIN by Piotr Bujak, publication assisting to the artist's solo show in Jasny Dom in Krakow, July 2015.
We were young, innocent, and of pure hearts. We worshipped Satan and gazed into the night.